Bring Back Music :: Bring Back 24 Hour Drinking

During the Sars2 times I came up with an idea to help musicians and live music venues get back on their feet and also bring back 24 hour SUPERMARKETS... Bring back 24 hour drinking!

Save The Whales... fat singers that is

In order to save and bless the nearly extinct remaining live music venues still operating in Auckland, they should be gifted an automatic deregulation of their opening hours (so they can operate 24 hours if they wish, they aint obliged to do shit). And no more sound control on till midnight on Friday for all bands citywide including rehearsals and recordings.

If your venue has over 26+ events per year = Live Music Venue

Any venue that can prove they are live music venue qualifies.

Qualification is done each 5 years by sending 10 promotional 1st party original art files (PDFs) or 3rd party verified event listings (URLs), with earliest and latest dates not more than 140 days apart thereby proves by extrapolation they host at least 26 events per year would qualify. A gig each fortnight. Nightclubs would need to have more than just a resident DJ (or an iPod hooked up) to qualify typically, as a live music event, unless the events have original (I'LL BE THE JUDGE) artworks designed and supplied and URL method not available (anti-spam).

So a place like Portland Public House would easily qualify, whereas a casino bars like Sky Shitty not so much.

Electronic music events would not be able to use the URL method to qualify but can still do so using the PDF promotional artwork method.

Rugby World Cup 2012

Auckland hosted the rugby world cup in 2012 before a law change in 2014 which made Auckland a very boring place for international traveler.

So naturally the fucking cunts in Wellington made an exception for that and Sky Shitty, WHICH IS NOW THE ONLY FUCKING PLACE WITH 24 HOUR DRINKING IN AUCKLAND! It used to house New Zealand's only 24 hour BNZ bank branch too by the way.

As you can see <sarcasm> I'm not at all bitter about it. </sarcasm>

About The Author

Tom Atkinson - Musician, web app coder, artist, scientist, wanker... and now... ninja of local body politics!

I've been quoted as saying that I believe Auckland traffic congestion would be reduced if we bring back 24 hour drinking *jokes* hey maybe it would?

Actually I was thinking about the effect COVID will probably have on the industry and this is my contribution to make it all better. It also marks my entry into local body politics! Ask me about my other policies!

Lyrics

Trying to get by as a musician today takes all the booze ya got

Repealing the 2014 ammendings to the liquor licensing act would be a pretty good place to stop

So wouldn't you like to see a live music or watch a band

Sometimes you wanna say - Bring back the music - to Auckland city

Bring back 24 liquor licenses - to all the bars and venues shown

Then we can have a music scene and not be such an embarrassment to overseas travelers from New York City

Taxi to supermarket's for 24 hour boozing

That's why if you buy my album enough times, and convince me to run for Mayor and win,

When I am elected as Mayor of Auckland...

I will personally see to it that there is a) No sound control for you or your party on YOUR BIRTHDAY* and b) No sound control for *booked* musical acts if you supply council with your poster or event info 6 weeks in advance and c) No sound control for any musical act whether at, but not limited to any of; rehearsal practice; soundcheck; main performance, encore, pack-out or any other purpose that does not harm people or the environment from 4:20 pm on Fridays until 11:55 pm!! Vote Tom for Mayor 2040. or i kill ya.

* although seemingly unimportant trivial and useless clause, actually this is by far the most powerful clause because if you think about it with your brain and not your dick, this means that any event with more than 365 people in attendance is likely to be automatically protected by the clause since there is a 100% probability it is someones birthday that day.

Stop the Censorshit please, Facebook.

I'm so over seeing these Zuck-ful Silicon-Valley Control Freaks taking advice from various governments especially Facebook trying to implement it's own home-brew censorship. But that would be doing a disservice to the word censorship which is a good and valued governance believe it or not.

That's why instead I'm calling it "censorshit".

Stop the Censorshit please, Facebook.

Especially in countries outside USA, like NZ and just today, now India. It was better before you decided to dick around with this stuff. As a sign it is surely (hopefully) reaching it's crescemdo, I present this astonishing and piece made by ex-Facebook staff who were wrongfully dismissed and are taking Facebook to court.

I usually never put a full-stop in a heading but there it is, I'm steaming mad. It started happening around the COVID time, the fun old Sars-2 good times. I started to keep a folder of image clippings of utterly unbelievable shit that I seen and collected. The first one on list is the latest one, the one that put me over the edge enough to write this blog:

0. I was researching ancient culture of India and...

I will contact Nilesh now to ask him if wants to guest post this content below on my website instead of FB (if I like it... I haven't seen it yet):

You can see my enormous post. Hopefully Nilesh will have an interesting article and I can post this here soon. Here is my comments on his page, from me to Nilesh:

1. Freedom of Speech talk cancelled. What a shame aye. We gotta fight for this right to party.

2. Facebook Community Standards: screenshot shows the reason for my blogual posturing.

This shocking image is an image that I took on the camera of another phone of the screen of my phone. I knew that since there was fuck-all that I did to make it appear, probably while trying to screen shot the fucker I would somehow make it disappear, and you know your never gonna see that again right?

"Your post goes against our Community Standards on misinformation about COVID-19. No one else can see your post. We encourage free expression, but don't allow false information that has been repeated debunked" - What you mean that part about organ harvesting from the Uyghur and Falun Gong practitioners?

We encourage free expression but don't allow false information that has been repeatedly debunked. I don't think Chinese organ harvesting has been and death vans have been debunked.

3. In a related but different matter... sometimes I go at it so hard, that Google thinks I'm a robot:

2.This terrifying but amazingly designed "modal dialog" suddenly appeared on my phone

I had no idea what I did to bring it up (if anything, I don't use this app I use DoubleTwist one of the rare apps that I paid for is no longer avail). Probably the screen went black while I thought about it.

4. I was so paranoid about the government pigs during Sars2 picnic times, that I felt the need to screenshot this price quote for a trip to OKINAWA to create a miss-direction to confuse them if they ask why I was driving about during lockdown:

Shout outs to BRYAN FROM OKINAWA! Brother do you remember me calling you and asking for you to back up my alibi that I was....... coming or going near China by the sounds of it? Why on earth did I do this?

Final Word -  An Extract From A Harvard Paper on the suvject

Embracing complexity, localizing misinformation

As a field, we cannot address all the issues (see link above), particularly the systemic problems around the lack of access to data and funding or the political and economic incentives that prevent effective solutions from being implemented. However, addressing criticism related to the epistemological foundations of the field is within the control of the field itself. To move the field forward and address gaps in theories, definitions, and practices, these are some of the steps that researchers in the field can take:

1. Clarify exactly what instantiation of misinformation has been studied in a given research project and the extent to which findings might—or might not—apply to different kinds of content and processes.
2. Be specific about the local and context-dependent socio-technical mechanisms that enable or constrain online misinformation in that given research process to avoid technologically deterministic over-generalisations.
3. Be transparent about the epistemological assumptions that motivate researchers to define a specific type of content as misleading and a population as misled.

That misinformation research needs to be more specific about what constitutes “misinformation” in a given research project is a common criticism of the field (see Williams, 2024) and the easiest to address. While misinformation is commonly described as false or misleading information, this definition can refer to many different kinds of content and can lead to the often polarizing and contradictory findings of the field. For example, Budak et al. (2024) found that the average user has minimal exposure to misinformation by measuring so-called “click-bait.” In this study, because misinformation is narrowly defined as false claims from unreliable click bait news sources, its impact is mainly limited to a small group of people. However, if misinformation is instead defined as hyperpartisan content from mainstream as well as alternative media outlets, then the effects are much larger and systemic and can lead to radicalisation or extreme polarisation (Benkler et al., 2018). Researchers should, therefore, be more explicit about what they are referring to as misinformation.

But, while necessary, being more specific about what is being researched does not address the tendency to overgeneralise findings on online misinformation and marry technologically deterministic arguments. Technological determinism is the tendency of pointing at technology to explain patterns of human behavior. The emphasis on technology, without considering the social contexts in which it operates, can result in over or underestimating the actual role of technological artifacts in our societies. Technologically deterministic arguments are present across many contemporary tech policy issues, including filter bubbles, echo chambers, algorithmic amplification, and rabbit holing, where technology is seen as the only cause of these problems.

For example, research on the spread of misinformation on social media platforms often attributes this phenomenon solely to the algorithmic recommendation systems of social media platforms. This technologically deterministic view overlooks the fact that users also play an active role in seeking out, engaging with, and sharing misinformation based on their own preferences and predispositions. While algorithms are certainly a (big) part of the problem, we need to pay attention to interactions between users and algorithms and keep in mind that misinformation can spread in spaces that are not algorithmically mediated, like encrypted chat applications.

Affordance theory can provide a more nuanced understanding of the relationship between technology and user behavior. Affordance theory is the idea that the impact of a given technology on a user’s behavior depends on 1) the design of the technology, as much as on 2) users’ predispositions, identities, and needs, as well as on 3) the temporal and spatial contexts in which the technology is used. Users cannot do an unlimited number of things with a given technology due to its design constrains although they can sometimes do things with technology for which it was not specifically designed.

In the context of online misinformation, this translates to the fact that platform users can make use of information technologies—including platform algorithms—in ways that are crafty and unexpected. We know, for example, that young users are often well aware of how recommendation algorithms work and literally train them (or attempt to) to meet their needs. Not by chance, many in the field have focused on studying media manipulation tactics, a concept that refers exactly to this aspect of misinformation: On search engines and social media platforms, users actively work to game platforms affordances, and their online behavior is not passively dictated by how the platform works (Bradshaw, 2019; Tripodi, 2022).

The other aspect to reflect upon when considering how people get misinformed online is that the internet can often be a highly participative environment, especially when it comes to collectively making sense of the world. Within communities that are organised around validating some form of knowledge (e.g., conspiracy theories but also, to stay close to academia, metascience discussions about p hacking), what constitutes “valid truth” is not imposed top down on users who simply passively believe and reshare specific pieces of content, but it is negotiated and constructed via collective efforts (Tripodi, 2018). People believe things together because they do things together.

It is then crucial that misinformation researchers spend time online embedded in the communities that they study in order to understand what values and principles motivate users to discern between acceptable and not acceptable claims about the world (Friedberg, 2020). Different communities are affected very differently by misinformation, and identifying which communities are at higher risk of being misinformed should be part of the job. For example, diaspora communities from non-Western countries living in Western countries are at a high risk of being misinformed as they are the direct target of influence operations coming from both their own and the host country (Aljizawi et al., 2022). Typically, within these communities, misinformation is not easily recognizable as it is embedded within complex narratives and mixed with verifiable information.

One of the most important points to be made is that, simply put, we make sense of the world via stories, not via single facts. This is something that misinformation researchers only recently started to grapple with, such as in Kate Starbird’s (2023) work on frames and disinformation. Starbird (2023) proposes to understand misinformation as a collective sensemaking process in which individuals select what counts as evidence not (solely) based on the quality of such evidence, but also based on pre-existing narratives. Also, within a given narrative, individuals decide what counts as evidence while interacting with each other, not in solitude. This interpretative process happens both online and offline (e.g., talking with family, friends, etc.). Key questions to be asked when researching online misinformation, then, are what stories are shaping the interpretation of online content and where do such narratives come from (Kuo & Marwick, 2021)? Which actors are trying to influence the narrative, online and offline? And how do we account for these frames in experimental settings? As Starbird (2023) notes, when frames are the key to understanding online misinformation, how do we produce and communicate “better frames” in addition to “better facts”?